L'Impressionismo di Ernest Hemingway/Bibliografia

Indice del libro
Ingrandisci
Giovane Ernest Hemingway, 1916

Bibliografia

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Premio Nobel per la letteratura 1954

Elenco dei romanzi di Ernest Hemingway su Wikipedia


  • Three Stories and Ten Poems (racconti e poesie), Contact Publishing Company, Paris, 1923
  • In Our Time, ("miniature"), Three Mountains Press, Paris, 1924
  • In Our Time (edizione ampliata), Boni & Liverihht, New York, 1925
  • The Torrents of Springs, Scribner's. New York, 1926
  • Today Is Friday (atto unico), Stable Pamphlets, New Jersey, 1926
  • The Sun also Rises Scribner's, New York, 1926; edizione inglese, Fiesta, J. Cape, London, 1927
  • Men whithout Women (racconti), Scribner's, New York, 1927
  • A Farewell to Arms, Scribner's, New York, 1929
  • Introduction to Kiki of Montparnasse, E. W. Titus, New York, 1929
  • Death in the Afternoon, Scribner's, New York, 1932
  • Kilimanjaro, Scribner's, New York, 1932
  • Winner Take Nothing (racconti), Scribner's, New York, 1933
  • God rest You Merry Gentlemen (racconto), The House of Books, New York, 1933
  • The Green Hills of Africa, Scribner's, New York, 1935
  • The Short and Happy Life of Francis Macomber, 1936
  • To Have and Have Not, Scribner's, New York, 1937
  • The Spanish Earth (sceneggiatura), Cleveland, 1938
  • The Fifth Column and the First Forty-nine Stories (commedia e racconti), Scribner's, New York, 1938
  • For Whom the Bell tolls, Scribner's, New York, 1940
  • Men at War (racconti), Crowell-Collier, New York, 1942
  • Voyage to Victory (opuscolo), Crowell-Collier, New York, 1944
  • The Viking Portable Hemingway (antologia), a cura di Malcom Cowley, Viking, New York, 1944
  • Across the River and Into the Trees, Scribner's, New York, 1950
  • The Good Lion e The Faithful Bull, "Holiday", marzo 1951
  • The Old Man and the Sea, Scribner's, New York, 1952
  • The Hemingway Reader (antologia), The Hart Press, Berkeley, 1953
  • Two Christmas Tales (racconti), The Hart Press, Berkeley, 1959
  • The Collected Poems (poesie), San Francisco, 1960
  • The Snows of Kilimanjaro and Other Stories (racconti), Scribner's, New York, 1961
  • The Wild Years (articoli 1920-1923. "The Toronto Star Weekly"), Dell. New York, 1962
  • A Moveable Feast (memorie), Scribner's, New York, 1964
  • By-Line: Ernest Hemingway (articoli 1920-1956), Scribner's, New York, 1967
  • Islands in the Stream, Scribner's, New York, 1970
  • Ernest Hemingway's Apprenticeship: Oak Park 1916-1917 (testi giovanili), NCR Microcard Editions, 1971
  • The Nick Adams Stories (racconti), Scribner's, New York, 1973
  • 88 Poems (poesie), University of Nebraska Press, 1979
  • Selected Letters 1917-1961, Scribner's, New York, 1981
  • Ernest Hemingway on Writing (passi sulla scrittura), Scribner's, New York, 1984
  • The Dangerous Summer, Scribner's, New York, 1985
  • Dateline Toronto: The Complete Toronto Star Dispatches 1920-1924, Scribner's, New York, 1985
  • The Young Hemingway: Three Unpublished Short Stories (racconti inediti), "The New York Sunday Times Magazine", 18 agosto, 1985
  • Conversations whith Hemingway (interviste), a cura di Matthew Bruccoli, University Press of Mississippi, Jackson, 1986
  • The Complete Short Stories (tutti i racconti), Scribner's, New York, 1987
  • The Garden of Eden, Scribner's, New York, 1987
  • True at First Light, 1999
  • A Room on the Garden Side, The Strand Magazine, 2018

In italiano

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  • Il ritorno del soldato Krebs, trad. di C. Linati, Monaca e Messicani, trad. di E. Vittorini. Vita felice di Francis Macomber, per poco, trad. di Elio Vittorini, in America, a cura di Elio Vittorini, Bompiani, Milano 1942
  • L'invincibile (cinque racconti), pref. di S. Surace, Jandi-Sapi, Roma 1944
  • E il sole sorge ancora (noto anche con il titolo "Fiesta"), trad. di R. Dandolo, Jandi-Sapi, Roma 1944; Fiesta, Einaudi, Torino 1946, trad. di G. Trevisan
  • Addio alle armi , trad. di B. Fonzi, Jandi-Sapi, Roma 1945; Addio alle armi, trad. di G. Ferrara, P. Russo, D. Isella, Arnoldo Mondadori Editore, Milano 1946; Addio alle armi, trad. di Fernanda Pivano, Mondadori, Milano 1949
  • Per chi suona la campana, trad. di Maria Martone Napolitano, Mondadori, 1946
  • La quinta colonna, trad. di Giuseppe Trevisani, Einaudi, Torino 1946
  • Verdi colline d'Africa, trad. di G. Carancini, Jandi-Sapi, Roma 1946; trad. di A. Bertolucci e A. Rossi, Einaudi, Torino 1948
  • Uomini senza donne, trad. di A. Salomone, Elios, 1946
  • Chi ha e chi non ha, Jandi-Sapi, Roma 1945, trad. B. Fonzi; Avere e non avere, trad. di G. Monicelli, Einaudi, Torino 1946
  • Morte nel pomeriggio, trad. di Fernanda Pivano, Einaudi, Torino 1947
  • I quarantanove racconti, trad. di Giuseppe Trevisani, Einaudi, Torino 1947
  • Torrenti di primavera, trad. di B. Fonzi, Einaudi, Torino 1951
  • Il vecchio e il mare, trad. di Fernanda Pivano, Mondadori, Milano 1952
  • Di là dal fiume e tra gli alberi, trad. di Fernanda Pivano, Mondadori, Milano 1965
  • Lettere 1917-1961, intr. di Carlos Baker, trad. di F. Franconeri, Mondadori, Milano 1986
  • Festa mobile, in Franco Furoncoli, Parigi senza tempo, Idea-libri 1999; pref. di Fernanda Pivano. Il testo accompagna le immagini.
  • Ventuno racconti (parte I e II), trad. di E. Capriolo e B. Oddera, Mondadori, Milano 1986
  • Il giardino dell'Eden, trad. di M. D'Amico, Mondadori, Milano 1987
  • I quarantanove racconti, trad. di Vincenzo Mantovani, con un'intervista a cura di George Plimpton, Einaudi, Torino 1999
  • La corrente e Incroci-Un'antologia, a cura di Francesco Cappellini, Via del vento edizioni, aprile 2010
  • Hemingway-Kurowsky in amore e in guerra, Mursia, collana Carteggi e Diari
  • Nella collezione "I classici contemporanei stranieri" sono usciti in due volumi le Opere di Ernest Hemingway, Mondadori, Milano, 1962
  • Nei "Meridiani" Mondadori è uscito Romanzi e racconti al cui interno si possono trovare i romanzi Addio alle armi e Fiesta e la raccolta di racconti Nel Nostro Tempo, a cura di Fernanda Pivano, 1974
  • Nella serie "Gli Oscar Mondadori" sono disponibili numerosi romanzi con apparato critico e bibliografico
  • Fiesta (nella collezione Novecento Mondiale)

Postume

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Fonti secondarie

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  • Abstracts of War Surgery. Division of Surgery, Surgeon-General’s office. St. Louis, MO: C.V. Mosby Company, 1918.
  • Adorno, Theodor. Negative Dialectics. Ed and trans. E.B. Ashton. London: Routledge, 1990.
  • Alighieri, Dante. Inferno. Ed and trans. Robert M. Durling. Oxford: Oxford University Press, 1996.
  • Army Command Policy. Department of the Army. Washington, DC. 18 marzo 2008.
  • Atkins, John Alfred. The Art of Ernest Hemingway; His Work and Personality. London: Spring Books, 1964.
  • Baker, Carlos, Ernest Hemingway: A Life Story, Collier Books, 1988.
  • Ball, Karyn. Traumatizing Theory: The Cultural Politics of Affect in and Beyond Psychoanalysis. New York: Other Press, 2007.
  • Barloon, Jim. "Very Short Stories: The Miniaturization of War in Hemingway's in our Time." The Hemingway Review 24.2 (2005): 5-17.
  • Bauer, Margaret Donovan. "Forget the Legend and Read the Work: Teaching Two Stories by Ernest Hemingway." College Literature 30.3 (2003): 124-37.
  • Belau, Linda. "Trauma and the Material Signifier." Postmodern Culture 11.2 (2001).
  • Berg, Allison. "The Great War and the War at Home: Gender Battles in Flags in the Dust and the Unvanquished." Women's Studies 22 (1993): 441-53.
  • Bergo, Bettina. “Conflicting Logics of Passions: The Strange Career of Hysteria and Anxiety in the Nineteenth Century.” Traumatizing Theory: The Cultural Politics of Affect in and Beyond Psychoanalysis. Ed. Karyn Ball. New York: Other Press, 2007.
  • Bittner, John R. "Vie Hors Serie, Fin Dramatique: The Paris Press Coverage of the Death of Ernest Hemingway." The Hemingway Review 24.2 (2005): 73-86.
  • Bloom, Harold, Ernest Hemingway's the Sun also Rises [Electronic Resource]. New York: Chelsea House, 1996.
  • Bloom, Harold. Ernest Hemingway. New York: Chelsea House, 1985.
  • Boutelle, Ann Edwards. "Hemingway and "Papa": Killing of the Father in the Nick Adams Fiction." Journal of Modern Literature 9.1 (1981): 133-46.
  • Bremmer, J. Douglas e Charles R. Marmar. Trauma, Memory, and Dissociation. Arlington, VA: American Psychiatric Publishing, 1998.
  • Brenner, Athalya e Fokelie Van Dijk-Hemmes. On Gendering Texts: Female and Male Voices in the Bible. New York: E.J. Brill Press, 1996.
  • Broe, Mary Lynn, e Bonnie Kime Scott. The Gender of Modernism : A Critical Anthology. Bloomington, Ind.: Indiana University Press, 1990.
  • Broer, Lawrence R., e Gloria Holland. Hemingway and Women: Female Critics and the Female Voice. Tuscaloosa: University of Alabama Press, 2002.
  • Burwell, Rose Marie. Hemingway: The Postwar Years and the Posthumous Novels. New York: Cambridge UP, 1996.
  • Butler, Judith. Precarious Life: The Powers of Mourning and Violence. London; New York: Verso, 2004.
  • Campbell, Donna M. "Fiction: 1900 to the 1930s." American Literary Scholarship 2001 (2003): 305-42.
  • Chevelier, Jean, e Gheerbrant, Alain. A Dictionary of Symbols. Trad. John Buchanan-Brown. London: Penguin, 1996.
  • Cirino, Mark. ""A Bicycle is a Splendid Thing": Hemingway's Source for Bartolomeo Aymo in A Farewell to Arms." The Hemingway Review 26.1 (2006): 106-14.
  • Clark, Miriam Marty. "Hemingway's Early Illness Narratives and the Lyric Dimensions of «Now I Lay Me»." Narrative 12.2 (2004): 167-77.
  • Clark, Robert C. "Papa y El Tirador: Biographical Parallels in Hemingway's "I Guess Everything Reminds You of Something"." The Hemingway Review 27.1 (2007): 89-106.
  • Clausewitz, Carl Von. On War. Ed. Anatol Rapoport. London: Penguin Books, 1982.
  • Cohen, Milton A. "Who Commissioned the Little Review's "in our Time?"." The Hemingway Review 23.1 (2004): 106-10.
  • Comley, Nancy R., e Robert Scholes. Hemingway's genders: Rereading the Hemingway Text. New Haven: Yale University Press, 1994.
  • Cooke, John Esten, Moses Drury Hoge, John William Jones, Stonewall Jackson: A Military Biography, D. Appleton and Company, 1876.
  • Cote, William E. “Correspondent or warrior? Hemingway’s Murky World War II Combat experience.” Hemingway Review. Vol. 22 2002.
  • Culler, Jonathan D. "Omniscience." Narrative 12.1 (2003): 22-34.
  • Dear, I.C.B. The Oxford Guide to World War II. Oxford: Oxford University Press, 1995.
  • De Beauvoir, Simone. The Second Sex. Trad. H.M. Parshley. New York: Vintage Books, 1989.
  • De Baerdemaeker, Ruben. "Performative Patterns in Hemingway's "Soldier's Home"." The Hemingway Review 27.1 (2007): 55-73.
  • DeFazio, Albert J., and Patrick Gregg. "Current Bibliography: Annotated." The Hemingway Review 23.2 (2004): 115-21.
  • DeFazio, Albert J. "Fitzgerald and Hemingway." American Literary Scholarship 1999 (1999): 201-19.
  • ———. "Fitzgerald and Hemingway." American Literary Scholarship 2000 (2000): 191-208.
  • ———. "Fitzgerald and Hemingway." American Literary Scholarship 98 (1998): 179-94.
  • Dekoven, Marianne. "Modernism and Gender." The Cambridge Companion to Modernism. Ed. Michael H. Levenson. Cambridge: Cambridge University Press, 1999. 174.
  • DeKoven, Marianne. Rich and Strange: Gender, History, Modernism. Princeton, N.J.: Princeton University Press, 1991.
  • Desnoyers, Megan Floyd. “Ernest Hemingway: A Story Teller’s Legacy.” Prologue Quarterly of the National Archives. Vol. 24, No. 4, winter 1992.
  • Dodman, Trevor. “Going All to Pieces: A Farewell to Arms as Trauma Narrative.” Twentieth-Century Literature. 52.3, Fall 2006.
  • Doherty, Brigid. ""See: "we are all Neurasthenics"!" Or, the Trauma of Dada Montage." Critical Inquiry 24.1 (1997): 82-132.
  • Donaldson, Scott. The Cambridge Companion to Hemingway. Cambridge; New York: Cambridge University Press, 1996.
  • Dunningan, James, F. How to Make War: A Comprehensive Guide to Modern Warfare in the 21st Century. New York: Quill, 1993.
  • ———. "Strange Tribe: A Family Memoir (Review)." The Hemingway Review 27.1 (2007): 136-40.
  • Eby, Carl. “He Felt the Change so that it Hurt Him All Through: Sodomy and Transvestic Hallucination in Late Hemingway” Hemingway Review Vol. 25. No. 1 (Fall 2005). P.77-95.
  • Eckert, Penelope, e Sally McConnell-Ginet. Language and Gender. Cambridge: Cambridge University Press, 2003.
  • Elliot, Ira. "Performance Art: Jake Barnes and "Masculine" Signification in the Sun also Rises." Ernest Hemingway's the Sun also Rises: A Casebook. Ed. Linda Wagner-Martin. Oxford: Oxford University Press, 2002. 63-80.
  • Evans, Martin Max. American Voices of World War I. London: Fitzroy Dearborn Publishers, 2001.
  • Evans, Oliver. "The Protagonist of Hemingway's "the Killers"." Modern Language Notes 73.8 (1958): 589-91.
  • Fantina, Richard. "Hemingway's Masochism, Sodomy, and the Dominant Woman." The Hemingway Review 23.1 (2004): 84-105.
  • Felski, Rita. The Gender of Modernity. Cambridge, Mass.: Harvard University Press, 1995.
  • Fisher, Jim. "Of Star Style and a Reporter Named Hemingway." The Kansas City Star. 27 settembre 2007.
  • Fisher, Paul. "Back to His First Field." Kansas City Times. 26 1940 Project Muse 15 maggio 2008.
  • Flora, Joseph M. Hemingway's Nick Adams. Baton Rouge: Louisiana State University Press, 1982.
  • Fritz, Stephen G. Frontsoldaten: The German Soldier in World War II. Lexington, KY: University Press of Kentucky, 1997.
  • Frye, Northrup. . “Review of Across the River” ed. Jeffery Meyers, Hemingway the Critical Heritage. London: Routledge, 1982.
  • Fulton, Lorie Watkins. "Reading Around Jake’s Narration: Brett Ashley and the Sun also Rises." The Hemingway Review. 24.1 (2004): 61. Project Muse. 18 maggio 2008.
  • Gallagher, Jean, The World Wars through the Female Gaze. Carbondale, Ill: Southern Illinois University Press, 1998.
  • Garrigues, Lisa. "Reading the Writer's Craft: The Hemingway Short Stories." The English Journal 94.1, Re-Forming Writing Instruction (2004): 59-65.
  • Gibson, W. Walker. Tough, Sweet & Stuffy; an Essay on Modern American Prose Styles. Bloomington: Indiana University Press, 1966.
  • Godden, Richard. Fictions of Capital: The American Novel from James to Mailer. Cambridge; New York: Cambridge University Press, 1990.
  • Godfrey, Laura Gruber. "Hemingway and Cultural Geography: The Landscape of Logging in "the End of Something"." The Hemingway Review. 26.1 (2006): 47-62.
  • Gordon, Harry Arthur,Jr. "Fathers and Sons." The English Journal. 73.2 (1984): 32-5.
  • Grayzel, Susan R. Women and the First World War. London; New York: Longman, 2002.
  • Grimes, Larry E. The Religious Design of Hemingway's Early Fiction. Ann Arbor, Mich.: UMI Research Press, 1985.
  • Grossman, Grossman e Siddle, Bruce K., Psychological Effects of Combat in Encyclopedia of Violence, Peace and Conflict, Academic Press, 1999
  • Hammer, Stephanie Barbe. Schiller’s Wound: The Theater of Trauma from Crisis to Commodity. Wayne, IN: Wayne State University Press, 2001.
  • Hannah, James. The Great War Reader. College Station, TX: Texas A & M University Press, 2000.
  • Harrison, Elizabeth Jane, e Shirley Peterson. Unmanning Modernism: Gendered Re-Readings. 1st ed. Knoxville: University of Tennessee Press, 1997.
  • Haulsee, William Mitchell, Frank George Howe, e Alfred Cyril Doyle. Soldiers of the Great War. Washington, DC: Soldiers Record Publishing Association, 1920. Retrieved by Harvard University digital copy.
  • Hediger, Ryan. “Hunting, Fishing, and the Cramp of Ethics in Ernest Hemingway’s The Old Man and the Sea, Green Hills of Africa, and Under Kilimanjaro.” The Hemingway Review. Vol. 27. No.2. Spring 2008. Pp.35-59.
  • Henry, Mark, R. The US Army in World War II. Oxford: Osprey Publishing, 2000.
  • Hesford, Wendy S. "Documenting Violations: Rhetorical Witnessing and the Spectacle of Distant Suffering." Biography 27.1 (2004): 104-44.
  • Hewson, Marc. "The Real Story of Ernest Hemingway": Cixous, Gender, and A Farewell to Arms." The Hemingway Review 22.2 (Spring 2003): 51--62.
  • Hoffman, Emily C. "Tradition and the Individual Bullfighter: The Lost Legacy of the Matador in Hemingway's "the Capital of the World"." The Hemingway Review 24.1 (2004): 90-105.
  • Hotchner, A. E. Papa Hemingway; a Personal Memoir. New York: Random House, 1966.
  • Imamura, Tateo. “’Soldier’s Home: Another Story of a Broken Heart.” Hemingway Review. Vol. 16. No. 1. Autunno 1996.
  • Irigaray, Luce. This Sex which is Not One. Ithaca, N.Y.: Cornell University Press, 1985.
  • Jain, S.P. Hemingway: A Study of His Short Stories. New Delhi, India: Arnold-Heinemann Publishers, 1985.
  • Jackson, Robert. Seeking the Region in American Literature and Culture: Modernity, Dissidence, Innovation. Baton Rouge: Louisiana State University Press, 2005.
  • Justice, Hilary K., 1966-, e Robert W. Trogdon. "Fitzgerald and Hemingway." American Literary Scholarship 2004 (2006): 201-20.
  • Kaplan, Charles. Criticism : The Major Statements. 2nd ed. New York: St. Martin's Press, 1986.
  • Knights, Ben. Writing Masculinities : Male Narratives in Twentieth-Century Fiction. New York: St. Martin's Press, 1999.
  • Knight, Chris. Blood Relations: Menstruation and the Origins of Culture. New Haven, London: Vale University Press, 1991.
  • Kleinman, Arthur, Veena Das, e Margaret M. Lock. Social Suffering Essays. San Diego: University of California Press, 1997.
  • Kobler, J. F. Ernest Hemingway: Journalist and Artist. Ann Arbor, MI: UMI Research Press, 1985.
  • Kolln, Martha. Rhetorical Grammar: Grammatical Choices, Rhetorical Effects. New York: Longman, 2003.
  • LaCapra, Dominick. Writing History, Writing Trauma. Baltimore: Johns Hopkins University Press, 2001.
  • Larson, Kelli A. "Current Bibliography." The Hemingway Review 26.2 (2007): 135-44.
  • Lewis, R. W. B. The American Adam; Innocence, Tragedy, and Tradition in the Nineteenth Century. Chicago: University of Chicago Press, 1955.
  • Liddle, Peter, H. The Soldier’s War: 1914-18. London: Blandford Press, 1988.
  • Lisa Tyler. ""How Beautiful the Virgin Forests were before the Loggers Came": An Ecofeminist Reading of Hemingway's "the End of Something"." The Hemingway Review 27.2 (2008): 60-73.
  • Lynn, Kenneth Schuyler. Hemingway. New York: Simon and Schuster, 1987.
  • Machiavelli, Niccolo. Il Principe.
  • Mandel, Miriam B. “Across the River and into the Trees: Reading the Brusadelli Stories” Journal of Modern Literature. XIX, 2 (Autunno 1995) pp. 334-345.
  • Mansfield, Nick. Subjectivity: Theories of the Self from Freud to Haraway. New York: NYU Press, 2000.
  • Mariani, John. “Across the River and into the Ritz” Esquire Vol. 131 Issue 1 (luglio 1999) p. 42.
  • Marix Evans, Martin. American Voices of World War I : Primary Source Documents, 1917-1920. London: Fitzroy Dearborn, 2001.
  • Martin, Wendy. "Brett Ashley as New Woman in the Sun also Rises." Ernest Hemingway's the Sun also Rises: A Casebook. Ed. Linda Wagner-Martin. Oxford: Oxford University Press, 2002. 47-62.
  • Marx, Karl. “The Power of Money in Bourgeois Society.” Economic and Philosophic Manuscripts of 1844 Karl Marx. Trad. Martin Milligan. Amherst, NY: Prometheus Books, 1988.
  • Mason, Charles Field. A Complete Handbook for the Sanitary Troops of the U.S. Army and Navy and the National Guard and Naval Militia. New York: William Wood and Company, 1917.
  • McCaffery, John K. M. Ernest Hemingway: The Man and His Work. Ed. John K. M. McCaffery. Cleveland: World Pub. Co, 1950.
  • McGee, Daniel T. "Dada Da Da: Sounding the Jew in Modernism." ELH 68.2 (2001): 501-27.
  • Mellow, James R. Hemingway : A Life without Consequences. Boston: Houghton Mifflin Co, 1992.
  • Meyers, Jeffery. “Chink Dorman-Smith and Across the River and into the Trees” Journal of Modern Literature. Vol. 11 Issue 2.(July 1984) p 314.
  • Merleau-Ponty, Maurice, Ted Toadvine, e Leonard Lawlor. The Merleau-Ponty Reader. Evanston, Ill.: Northwestern University Press, 2007.
  • Michaels, Walter Benn. "American Modernism and the Poetics of Identity." Modernism/modernity 1.1 (1994): 38-56.
  • Miller, Edward. A Dark and Bloody Ground: The Hurtgen Forest and the Roer River Dams, 1941-45. College Station, TX: Texas A & M University, 2003.
  • Miller, Nancy K., and Jason Daniel Tougaw. Extremities : Trauma, Testimony, and Community. Urbana: University of Illinois Press, 2002.
  • Miller, Paul W. “Hemingway vs. Stendhal. Or Papa’s Last Fight with a Dead Writer” The Hemingway Review Vol 19 No. 1. (Fall 1999).
  • Moddelmog, Debra A. "Contradictory Bodies in the Sun also Rises." Ernest Hemingway's the Sun also Rises: A Casebook. Ed. Linda Wagner-Martin. Oxford: Oxford University Press, 2002. 155-166.
  • Moddelmog, Debra A. Reading Desire: In pursuit of Ernest Hemingway. Ithaca, NY: Cornell University Press, 1999.
  • Modell, Arnold. Times, Other Realities. Toward a Theory of Psychoanalytic Treatment. Cambridge: Harvard UP, 1990.
  • Monteiro, George. “Hemingway’s Colonel” Hemingway Review Vol. 5 Issue 1 (Autunno 1985).
  • Monteiro, George. “Last Heroes in Fitzgerald and Hemingway: Tender is the Night, The Last Tycoon, and Across the River and into the Trees” Hemingway Review, Spring 1997.
  • Morrison, Toni. Playing in the Dark: Whiteness and Literary Imagination. New York: Vintage Books, 1993.
  • Nagel, James. Critical Essays on Ernest Hemingway's the Sun Also Rises. New York; London: G.K. Hall; Prentice Hall International, 1995.
  • Narbeshuber, Lisa. "Hemingway's in our Time: Cubism, Conservation, and the Suspension of Identification." The Hemingway Review 25.2 (2006): 9-28.
  • Norris, Christopher. Language, Logic and Epistemology : A Modal-Realist Approach. Basingstoke, Hampshire; New York: Palgrave Macmillan, 2004.
  • Nuti, Elisabetta Zingoni. “The ‘Honorable Pacciardi’ Remembered” Hemingway Review Vol. 11 Issue 1 (Fall 1991) p. 56.
  • O’Brien, Kenneth Paul e Lynn H. Parsons. The Home-front War: World War II and American Society. Westport, CT: Greenwood Press, 1995.
  • O'Sullivan, Sibbie. "Love and Friendship/Man and Woman in the Sun also Rises." Ernest Hemingway: Seven Decades of Criticism. Ed. Linda Wagner-Martin. East Lansing: Michigan State University, 1998.
  • Ott, Mark P. "Nick Adams at a Windy Crossroads: Echoes of Past and Future Fictions in Ernest Hemingway's "Che Ti Dice La Patria?"." The Hemingway Review 24.2 (2005): 18-27.
  • Ouditt, Sharon. Fighting Forces, Writing Women : Identity and Ideology in the First World War. London; New York: Routledge, 1994.
  • Paul, Steve. ""'Drive,' He Said": How Ted Brumback Helped Steer Ernest Hemingway into War and Writing." The Hemingway Review 27.1 (2007):21-38.
  • ———. "Preparing for War and Writing: What the Young Hemingway Read in the Kansas City Star, 1917-1918." The Hemingway Review23.2 (2004): 5-20.
  • Phillips, Larry, ed. Ernest Hemingway on Writing. New York, NY: Charles Scribner's Sons, 1984.
  • Phillips, Kathy J. Manipulating Masculinity: War and Gender in Modern British and American Literature. I ediz. New York: Palgrave Macmillan, 2006.
  • Pivano, Fernanda, Hemingway, Milano, Rusconi, 1985.
  • Pozorski, Aimee L. “Trauma’s Time: an Interview with Cathy Caruth.” Connecticut Review. 28.1, 2006.
  • Prigozy, Ruth. "Modernity and Progress: Fitzgerald, Hemingway, Orwell (Review)." The Hemingway Review 25.2 (2006): 150-3.
  • Puntnam, Ann. “Waiting for the End in Hemingway’s Pursuit Race.” Hemingway's Neglected Short Fiction : New Perspectives. Ed. Susan Beegel. Ann Arbor, Mich.: UMI Research Press, 1989.
  • Raabe, David M. "Hemingway's Anatomical Metonymies." Journal of Modern Literature 23.1 (1999): 159-63.
  • Radstone, Susannah. “Social Bonds and Psychical Order: Testimonies.” Traumatizing Theory: The Cultural Politics of Affect in and Beyond Psychoanalysis. Ed. Karyn Ball. New York: Other Press, 2007.
  • Reesman, Jeanne Campbell. "Fiction: 1900 to the 1930s." American Literary Scholarship 98 (1998): 257-85.
  • Risch, Robert. "Evan Shipman: Friend and Foil." The Hemingway Review 23.1 (2004): 42-57.
  • Robin Silbergleid. "Into Africa: Narrative and Authority in Hemingway's the Garden of Eden." The Hemingway Review 27.2 (2008): 96-117.
  • Rosenfield, Isacc. . “Review of Across the River” ed. Jeffery Meyers, Hemingway the Critical Heritage. London: Routledge, 1982.
  • Saint-Amour, Paul K. "Bombing and the Symptom: Traumatic Earliness and the Nuclear Uncanny." Diacritics 30.4 (2000): 59-82.
  • Sanderson, Rena. "Hemingway and Gender History." The Cambridge Companion to Hemingway. Ed. Scott Donaldson. Cambridge; New York: Cambridge University Press, 1996.
  • Savage, D.S. “Ernest Hemingway.” The Hudson Review. Vol. 1. No. 3, Autumn, 1948.
  • Scaer, Robert C. The Body Bears the Burden: Trauma, Dissociation and Disease. New York: The Haworth Medical Press, 2001.
  • Schivelbusch, Wolfgang. The Culture of Defeat : On National Trauma, Mourning, and Recovery. 1st American ed. New York: Metropolitan Books, 2003.
  • Scott, Bonnie Kime, e Mary Lynn Broe. The Gender of Modernism: A Critical Anthology. Bloomington: Indiana University Press, 1990.
  • Smith, Julian. "Hemingway and the Thing Left Out." Journal of Modern Literature 1.2 (1970): 169-82.
  • Stoltzfus, Ben. “Time and Remembrance: Calculus and Proust in Across the River and into the Trees” Hemingway Review Vol. 22 No. 2 (Spring 2003).
  • Strychacz, Thomas. Hemingway's Theaters of Masculinity. Baton Rouge: Louisiana State University Press, 2003.
  • Strychacz, Thomas. "Dramatizations of Manhood in Hemingway's in our Time and the Sun also Rises." American Literature 61.2 (1989): 245-60.
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  Per approfondire, vedi Embricazione del trauma in Hemingway e Infinità e generi.

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