Thomas Bernhard/Bibliografia: differenze tra le versioni
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Riga 28:
* Billenkamp, Michael, ''Thomas Bernhard. Narrativik und poetologische Praxis''. Heidelberg 2008.
* Bläulich, Max, Karl Ignaz Hennetmair: ''«…das größte Scheusal, das mir je untergekommen ist». Karl Ignaz Hennetmair über Thomas Bernhard''. Tartin Editionen, Salzburg 2002.
* Blumenberg, Hans, ''Shipwreck with Spectator'', trad. {{en}} Steven Rendall, Cambridge: MIT P, 1997 [{{it}} ''Naufragio con spettatore: paradigma di una metafora dell'esistenza'', trad. it. di Francesca Rigotti, Bologna: il Mulino, 1985, 2001].
* Breuer, Theo, [http://www.poetenladen.de/theo-breuer-thomas-bernhard.htm ''Die Arbeit als Leidenschaft, die fortgesetzte Partitur als Leben''. Hommage zum 80. Geburtstag].
* Buscioni, Piero, ''Thomas Bernhard'', in "il Fuoco", dicembre 2003-febbraio 2004.
* Chiarini, Marco, Sergio Marinelli, and Angelo Tartuferi, ''Jacopo Tintoretto 1519-1594: Il grande collezionismo mediceo'', Centro Di, 1994.
* Daino, Chiara, [http://uac.bondeno.com/afenice/data06/soccombente.pdf "Thomas Bernhard, il Soccombente - Analisi di un testo tra letteratura e musica], 2001/2 <small>(PDF)</small>
* Daviau, Donald G., "The Reception of Thomas Bernhard in the United States." ''Modern Austrian Literature'' 21 (1988): 243-76.
* Dierick, A. P., "Thomas Bernhard’s Austria: Neurosis, Symbol or Expedient?", ''Modern Austrian Literature'' 12.1 (1979): 73-93.
* Dowden, Stephen, ''Understanding Thomas Bernhard'', University of South Carolina Press, 1991.
* Dürrenmatt, Friedrich, ''Plays and Essays. "Problems of the Theater." Trad. {{en}} Patrick Bowles. Ed. Volkmar Sander. Continuum, 1982.
* Gargani, Aldo
* Harel, Simon, "Fatalité de la parole: invective et irritation dans l’œuvre de Thomas Bernhard", in ''Études littéraires « Esthétiques de l’invective »'', vol. 39, 2, 2008, pp. 59-83.
* Held, Julius, "Aristotle." ''Rembrandt’s Aristotle and Other Rembrandt Studies'', Princeton University Press, 1969, pp. 3-41.
Riga 44:
* Hofmann, Kurt, ''Aus Gesprächen mit Thomas Bernhard'', Deutscher Taschenbuch, 1991.
* Honegger, Gitta, ''Thomas Bernhard: The Making of an Austrian'', Yale University Press, 2002.
* Indiana, Gary
* Kirchmayr, Raoul (a cura di), ''Thomas Bernhard: una commedia, una tragedia'', in [[W:aut aut (rivista)|"aut aut"]], n. 325, gennaio-marzo 2005.
* Konzett, Matthias, "Publikumsbeschimpfung: Thomas Bernhard’s Provocations of the Austrian Public Sphere", ''The German Quarterly'' 68.3 (1995): 251-270.
Riga 55:
* McLintock, David. "The Voice of the Salzburg Fool." ''Times Literary Supplement 6'' Settembre 1996:7-8.
* Maier, Andreas, ''Die Verführung. Thomas Bernhards Prosa'', Wallstein, 2004.
* Martin, Charles
* Mittermayer, Manfred, ''Thomas Bernhard''. Metzler, Stuttgart 1995.
* Murray, Linda, ''The High Renaissance and Mannerism: Italy, The North, and Spain, 1500-1600'', Thames, 1967.
Riga 74:
* —— , ''The Pessimist’s Handbook: A Collection of Popular Essays'', trad. {{en}} T. Bailey Saunders, Univ. of Nebraska Press, 1964.
* Seeba, Hinrich C., "The Eye of the Beholder: Kleist’s Visual Poetics of Knowledge", ''A Companion to the Works of Heinrich von Kleist'', cur. Bernd Fischer, Camden, 2003, pp. 103-122.
* Smith, Martin Seymour
* Thomas, Chantal, ''Thomas Bernhard''. Parigi: Seuil, 1990.
* Tietze, Hans, ''Tintoretto'', Phaidon, 1948.
* Valcanover, Francesco, ''Tintoretto'', Abrams, 1985.
* Weissman, Benjamin
* Wilkins, Sophie
* Winkler, Jean-Marie, ''Au travers des murs du cachot. Thomas Bernhard auteur-bâtisseur'', Tirésias, 2013.
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