Esistenzialismo shakespeariano/Bibliografia: differenze tra le versioni
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Riga 4:
=== Fonti primarie del Rinascimento ===
* Abbadie, Jacques, ''The Art of Knowing Oneself: or, An Enquiry into the Sources of Morality'' (Oxford: Leonard Lichfield, 1695).
* Abercromby, David, ''A Moral Discourse of the Power of Interest'' (
* Bacon, Francis, ''The Essays'',
* Calamy, Edmund, ''The Monster of Sinful Self-Seeking;
* Calvin, John, ''Institutes of the Christian Religion'',
* Crowley, Robert, ''The Selected Works of Robert Crowley'',
* Dyke, Daniell, ''The Mystery Of Selfe-Deceiving. Or A Discovrse and Discouery of the Deceitfullnesse of Mans Heart'' (
* Donne, John, ''The Complete Poems of John Donne: Epigrams, Verse Letters to Friends, Love-Lyrics, Love-Elegies, Satire, Religion Poems, Wedding Celebrations, Verse Epistles to Patronesses, Commemorations and Anniversaries'',
* ——, ''Devotions upon Emergent Occasions'',
* Erasmus, Desiderius, ''Praise of Folly'',
* Goodwin, George, ''Automachia, or The Self-Conflict of a Christian'',
* Harrison, William, ‘A Historicall description of the Iland of Britaine, with a briefe rehersall of the nature and qualities of the people of England, and such commodities as are to be found in the same’, in ''The First and Second Volumes of Chronicles'',
* Jedin, Hubert (
* Jonson, Ben, ''Discoveries 1641; Conversations with William Drummond of Hawthornden 1619'' (
* Lesly, John, ''An Epithrene: or Voice of Weeping: Bewailing The want of Weeping. A Meditation'' (
* Machiavelli, Niccolò, ''The Prince'',
* Montaigne, Michel de, ''The Complete Essays'',
* Mirandola, Giovanni Pico della, ''On the Dignity of Man, On Being and the One and Heptaplus'',
* Raleigh, Walter, ''Sceptick, or Speculations. And Observations of the Magnificency and Opulency of Cities. His Seat of Government. And Letters to the Kings Majestie, and others of Qualitie. Also his Demeanor before his Execution'' (
* Shakespeare, William, ''Hamlet'',
* ——, ''Hamlet: The Texts of 1603 and 1623'',
* ——, ''The Tragedy of Coriolanus'',
* ——, ''The History of King Lear'',
* ——, ''The Norton Shakespeare'',
* Sidney, Philip, ''A Defence of Poetry'',
* Spenser, Edmund, ''The Yale Edition of the Shorter Poems of Edmund Spenser'',
* Spira, Francesco, ''Spira Respirans: Or, The Way to the Kingdom of Heaven by the Gates of Hell; In an Extraordinary Example'' (
* Stow, John, ''A Survey of
* Webster, John, ''The Works of John Webster'',
=== Testi esistenzialisti ===
* Beauvoir, Simone de, ''The Blood of Others'',
* ——, ''The Ethics of Ambiguity'',
* ——, ''Letters to Sartre'',
* ——, ''The Prime of Life
* ——, ''Pyrrhus and Cinéas'' (
* ——, ''The Second Sex'',
* ——, (cur.), ''Witness to my Life: The letters of Jean-Paul Sartre to Simone de Beauvoir 1926-1939'',
* Buber, Martin, ''I and Thou'',
* Camus, Albert, ''Lyrical and Critical Essays'',
* ——, ''The Myth of Sisyphus'',
* ——, ''Neither Victims Nor Executioners: An Ethic Superior to Murder'',
* ——, ''The Outsider'',
* ——, ''The Rebel'',
* ——, ''Resistance, Rebellion and Death'' (New York: Vintage Books, 1974).
* ——, ''Selected Essays and Notebooks'',
* Dostoevsky, Fyodor, ''Notes from the Underground and The Double'',
* Gide, André, ''The Journals of André Gide'', 4 vols (
* Heidegger, Martin, ''Being and Time'',
* ——, ''Martin Heidegger: Basic Writings'',
* Jaspers, Karl, ''Philosophy'',
* ——, ''Philosophy of Existence'',
* ——, ''Tragedy is Not Enough'',
* Kierkegaard, Søren, ''Concluding Unscientific Postscript to Philosophical Fragments'',
* ——, ''The Essential Kierkegaard'',
* ——, ''Fear and Trembling'',
* ——, ''The Journals of Søren Kierkegaard'',
* ——, ''The Point of View'',
* ——, ''The Present Age; and, Of the Difference between a Genius and an Apostle'',
* ——, ''Repetition'',
* ——, ''The Sickness Unto Death'',
* Nietzsche, Friedrich, ''The Birth of Tragedy'',
* ——, ''Daybreak: Thoughts on the Prejudices of Morality'',
* ——, ''Ecce Homo: How One Becomes What One Is'',
* ——,
* Sartre, Jean-Paul, ''Being and Nothingness: An Essay on Phenomenological Ontology'',
* ——, ‘Beyond Bourgeois Theatre’, ''The Tulane Drama Review'', 5:3 (1961), 3-11.
* ——, ''Existentialism and Humanism'',
* ——, ''The Family Idiot: Gustave Flaubert, 1821-1857'',
* ——, ''Kean; or, Disorder and Genius'',
* ——, ''Nausea'',
* ——, ''No Exit and Three Other Plays'',
* ——, ''A Notebooks for an Ethics'',
* ——, ''Search for a Method'',
* ——, ''Truth and Existence'',
* ——, ''Witness to my Life: The Letters of Jean-Paul Sartre to Simone de Beauvoir 1926-1939'',
* ——, ''What is Literature?''
* Schelling, F. W. J., ''System of Transcendental Idealism (1800)'',
=== Fonti secondarie ===
* Abbagnano, Nicola, ''Critical Existentialism'',
* Adelman, Janet, ''Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest'' (New York
* Adorno, Theodor W., ''The Jargon of Authenticity'',
* ——, ''Kierkegaard: Construction of the Aesthetic'',
* ——, ''Negative Dialectics'',
* Anderson, Amanda, ''The Way We Argue Now: A Study in the Cultures of Theory'' (Princeton: Princeton University Press, 2006).
* Andretta, Richard A., ‘Is Iago an Atheistic Existentialist?’, ''Arab Journal for the Humanities'', 58 (1997), 360-81.
* Ansari, Asloob Ahmad, ''The Existential Dramaturgy of William Shakespeare: Character Created Through Crisis'' (Lewiston, New York: Edwin Mellen Press, 2010).
* Armstrong, Philip, ''Shakespeare’s Visual Regime: Tragedy, Psychoanalysis and the Gaze'' (Basingstoke: Palgrave, 2000).
* Baker, James V., ‘An Existential Examination of King Lear’, ''College English'', 23:7 (1962), 546-550.
* Bakhtin, Mikhail, ''Towards a Philosophy of the Act'',
* Barbour, Reid, ''Literature and Religious Culture in Seventeenth Century England'' (Cambridge: Cambridge University Press, 2002).
* Barker, Francis, ''The Culture of Violence: Essays on Tragedy and History'' (Manchester: Manchester University Press, 1993).
* ——, ''The Tremulous Private Body: Essays on Subjection'' (
* Barnes, Hazel E., ‘Walter Kaufmann’s New Piety’, ''Chicago Review'', 13:3 (1959), 87-101.
* Barrett, William, ''Irrational Man: A Study in Existential Philosophy'' (Westport: Greenwood, 1958).
* Bate, Jonathan, ‘Shakespeare’s Foolosophy’, in ''Shakespeare Performed: Essays in Honor of R. A Foakes'',
* Bauer, George Howard, ''Sartre and the Artist'' (Chicago and
* Bauer, Nancy, ''Simone de Beauvoir, Philosophy and Feminism'' (New York: Columbia University Press, 2001).
* Belsey, Catherine, ''The Subject of Tragedy: Identity and Difference in Renaissance Drama'' (Methuen:
* Bennett, William E., ‘Shakespeare’s Iago: The Kierkegaardian Aesthete’, ''Upstart Crow'', 5 (1984), 156-9.
* Berman, Marshall, ''The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society'' (
* Bernd, Magnus, ''Nietzsche’s Case: Philosophy as/and Literature'' (New York: Routledge, 1993).
* Berry, Ralph, ‘“To say one”: An Essay on Hamlet’, ''Shakespeare Survey'', 28 (1975), 107-15.
* Bevington, David, ''Shakespeare’s Ideas: More Things in Heaven and Earth'' (Chichester: Wiley-Blackwell, 2008).
* Bielmeier, Michael G., ''Shakespeare, Kierkegaard and Existential Tragedy'' (Lampeter: Edwin Mellen Press, 2000).
* Birenhaum, Harvey, ‘Consciousness and Responsibility in Macbeth’, ''Mosaic'', 15:2 (1982), 17-32.
* Bloom, Allan, ''Shakespeare on Love and Friendship'' (Chicago: Chicago University Press, 2000).
* Bloom, Harold, ''The Anxiety of Influence'' (New York and Oxford: Oxford University Press, 1997).
* ——, ''Shakespeare: The Invention of the Human'' (
* ——, ''The Western Canon: The Books and the School of the Ages'' (
* Boyer, Eric R., ‘Hamlet and Absurd Freedom: The Myth of Sisyphus as Commentary on Shakespeare’s Creation’, ''Ball State University Forum'', 16:3 (1975), 54-66.
* Bradley, A. C., ‘Character and the Imaginative Appeal of Tragedy in Coriolanus’, in ''Coriolanus: A Casebook'',
* ——, ''Shakespearean Tragedy'', 3rd edn (Basingstoke
* Bristol, Michael D. (
* Bruster, Douglas, ''To Be or Not to Be'' (
* Burckhardt, Jacob, ''The Civilization of the Renaissance in Italy'',
* Burke, Kenneth, ''Kenneth Burke on Shakespeare'',
* ——, ''The Philosophy of Literary Form: Studies in Symbolic Action'', 3rd edn (Berkeley and Los Angeles: University of California Press, 1973).
* Caferro, William, ''Contesting the Renaissance'' (Chichester: Wiley-Blackwell, 2011).
* Calderwood, James L., ''To Be and Not To Be: Negation and Metadrama in Hamlet'' (New York: Columbia University Press, 1983).
* Cassirer, Ernst, ''The Individual and the Cosmos in Renaissance Philosophy'',
* Cavell, Stanley, ''Disowning Knowledge in Six Plays of Shakespeare'' (Cambridge: Cambridge University Press, 1987).
* Cefalu, Paul, ''Revisionist Shakespeare: Transitional Ideologies in Texts and Contexts'' (Basingstoke: Palgrave Macmillian, 2004).
* Chakrevorty, Jagannath, ''King Lear: Shakespeare’s Existentialist Hero'' (Calcutta: Avantgarde Press, 1990).
* Charnes, Linda, ''Notorious Identity: Materializing the Subject in Shakespeare'' (Cambridge, Massachusetts: Harvard University Press, 1993).
* Cheung, King-Kok, ‘Shakespeare and Kierkegaard: Dread in Macbeth’, ''Shakespeare Quarterly'', 35:4 (1984), 430-9.
* Clay, Charlotte N., ''The Role of Anxiety in English Tragedy: 1580-1642'' (Salzburg: University of Salzburg, 1974).
* Coleman, Patrick, Jayne Lewis, and Jill Kowalik (
* Collmer, Robert G., ‘An Existentialist Approach to Macbeth’, ''Person'', 44 (1960), 484-91.
* Cooper, David E., ''Existentialism: A Reconstruction'', 2nd edn (Oxford: Blackwell, 1999).
* Cooper, John (
* Cox, John D., ''Seeming Knowledge: Shakespeare and Skeptical Faith'' (Waco: Baylor University Press, 2007).
* Craig, Leon Harold, ''Of Philosophers and Kings: Political Philosophy in Shakespeare’s Macbeth and King Lear'' (Toronto: Toronto University Press, 2001).
* Crystal, David,
* Cheung, King-Kok, ‘Shakespeare and Kierkegaard: “Dread” in Macbeth’, ''Shakespeare Quarterly'', 35:4 (1984), pp. 430-9.
* Daigle, Christine (
* Davies, Stevie, ''Renaissance Views of Man'' (Manchester: Manchester University Press, 1978).
* Davis, Philip, ''Shakespeare Thinking'' (
* ——, ''Sudden Shakespeare: The Shaping of Shakespeare’s Creative Thought'' (
* Derrida, Jacques, ''Acts of Literature'',
* ——, ‘Force of Law: The Mystical Foundation of Authority’ in ''Deconstruction and the Possibility of Justice'', cur. Drucilla Cornell, Michel Rosenfeld, e David Grey Carlson (New York: Routledge, 1992), pp. 3-67.
* ——, ''The Gift of Death'',
* ——, ''A Taste for the Secret'',
* Detmer, David, ''Freedom as a Value'' (La Salle, Illinois: Open Court, 1986).
* Deutscher, Penelope, ''The Philosophy of Simone de Beauvoir: Ambiguity, Conversion, Resistance'' (Cambridge: Cambridge University Press, 2008).
* Dollimore, Jonathan, ''Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries'', 3rd edn (Basingstoke: Palgrave Macmillan, 2004).
* ——, ''Sex, Literature and Censorship'' (Cambridge: Polity, 2001).
* ——, ''Sexual Dissidence: Augustine to Wilde, Freud to Foucault'' (Oxford: Clarendon Press, 1991).
* Dreyfus, Hubert L.,
* Eagleton, Terry, ''Shakespeare and Society: Critical Studies in Shakespearean Drama'' (
* ——, ''Sweet Violence: The Idea of the Tragic'' (Oxford: Blackwell, 2003).
* ——, ''William Shakespeare'' (Oxford: Basil Blackwell, 1986).
* Earnshaw, Steven, ''Existentialism: A Guide for the Perplexed'' (
* Edmundson, Mark, ''Literature Against Philosophy, Plato to Derrida: A Defence of Poetry'' (Cambridge: Cambridge University Press, 1995).
* Escolme, Bridget, ''Talking to the Audience: Shakespeare, Performance, Self'' (
* Fahmi, Mustapha, ''The Purpose of Playing: Self-Interpretation and Ethics in Shakespeare'' (Québec: Two Continents, 2008).
* Felski, Rita (
* Fernie, Ewan, ‘Dollimore’s Challenge’, ''Shakespeare Studies'', 35 (2007), 133-57.
* ——, ''Shame in Shakespeare'' (
* ——, (cur.), ''Spiritual Shakespeares'' (
* ——, ‘Terrible Action: Recent Criticism and Questions of Agency’, ''Shakespeare'', 2:1 (2006), 95-115.
* Ferry, Anne, ''The Inward Language: Sonnets of Wyatt, Sidney, Shakespeare and Donne'' (Chicago: Chicago University Press, 1983).
* Fineman, Joel, ''Shakespeare’s Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets'' (Berkeley: University of California Press, 1986).
* Foucault, Michel, ''The History of Sexuality: Care of the Self'',
* ——, ''The History of Sexuality: The Use of Pleasure'',
* Frank, Mike, ‘Shakespeare’s Existential Comedy’, in ''Caliban'',
* Fromm, Erich, ''Marx’s Concept of Man'',
* Frye, Northrop, ''Fools of Time: Studies in Shakespearean Tragedy'' (
* Fuery, Patrick, ''The Theory of Absence: Subjectivity, Signification and Desire'' (Westport and
* Gadd, Ian, e Alexandra Gillespie (curr.), ''John Stow and the Making of the English Past'' (
* Garber, Marjorie, ''Shakespeare After All'' (New York: Pantheon, 2004).
* ——, ''Shakespeare and Modern Culture'' (New York: Pantheon, 2008).
* Gillespie, M. A., Hegel, ''Heidegger and the Ground of History'' (Chicago: Chicago University Press, 1984).
* Girard, René, ''A Theatre of Envy: William Shakespeare'' (New York: Oxford University Press, 1991).
* Goddard, Harold C., ''The Meaning of Shakespeare'' (Chicago
* Goldthorpe, Rhiannon, ''Sartre: Literature and Philosophy'' (Cambridge: Cambridge University Press, 1984).
* Gomez, Christine, ‘Hamlet: An Early Existential Outsider?’, ''Hamlet Studies'', 5 (1983), 27-39.
* Goodlad, J. S. R., ''A Sociology of Popular Drama'' (
* Grady, Hugh, ''The Modernist Shakespeare: Critical Texts in a Material World'' (Oxford: Clarendon Press, 1991).
* ——, Shakespeare, ''Machiavelli, and Montaigne: Power and Subjectivity from Richard II to Hamlet'' (Oxford: Oxford University Press, 2002).
* Greenblatt, Stephen, ‘Invisible Bullets: Renaissance Authority and Its Subversion’, in ''Contemporary Literary Criticism: Literary and Cultural Studies'',
* ——, ''Learning to Curse: Essays in Early Modern Culture'' (New York
* ——, ''Renaissance Self-Fashioning: From More to Shakespeare'' (Chicago
* ——, ‘Shakespeare and the Exorcists’, in ''Shakespeare and the Question of
* ——, ''Shakespeare’s Freedom'' (Chicago: Chicago University Press, 2010).
* Grene, Marjorie, ''Introduction to Existentialism'' (
* Grossman, Marshall (
* Guggenheim, Michel,
* Guignon, Charles (
* Habermas, Jürgen, ‘How to Answer the Ethical Question’, in Bettina Bergo, Joseph Cohen e Raphael Zagury-Orly (curr.), ''Judeities: Questions for Jacques Derrida'' (
* Hanson, Elizabeth, ''Discovering the Subject in Renaissance England'' (Cambridge: Cambridge University Press, 1998).
* Hartle, Ann, ''Michel de Montaigne: Accidental Philosopher'' (Cambridge: Cambridge University Press, 2003).
* Hawkes, Terence, ''Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays'' (
* Hawley, William M., ‘A Midsummer Night’s Dream: Relating Ethics to Mutuality’, ''The European Legacy'', 15:2 (2010), 159-69.
* Hazlitt, William, ''Characters of Shakespear’s Plays'' (Boston: Wells and Lily, 1818).
* ——, ''Lectures Chiefly on the Dramatic Literature of the Age of Elizabeth Delivered at the Surrey Institution'' (
* Heller, Agnes, ''Renaissance Man'',
* ——, ''The Time is out of Joint: Shakespeare as Philosopher of History'' (Lanham, MD: Rowman & Littlefield, 2002).
* Hennedy, John F., ‘Macduff’s Dilemma: Anticipation of Existentialist Ethics in Macbeth’, ''Upstart Crow'', 18 (1998), 110-17.
* Heter, T. Storm, ‘Authenticity and Others: Sartre’s Ethics of Recognition’, ''Sartre Studies International'', 12:2 (2006), 17-42.
* Hill, R. F., ‘Coriolanus: Violentest Contrariety’, ''Essays and Studies'', 17 (1964), 12-23.
Riga 208:
* ——, ''Shakespeare’s Individualism'' (Cambridge: Cambridge University Press, 2010).
* Holm, Isak Winkel, ‘Monstrous Aesthetics: Literature and Philosophy in Søren Kierkegaard’, Nineteenth Century Prose, 32:1 (2005), 52-74.
* Horowitz, David, Shakespeare and Existentialism (
* Howells, Christina, ‘Conclusion: Sartre and the Deconstruction of the Subject’, in The Cambridge Companion to Sartre,
* Hunt, Maurice, ‘Balzac vs. Shakespeare: Making Empathy Personal’, CCTE Studies, 71 (2006), 1-8.
* ——, ‘“Violent’st” Complementarity: The Double Warriors of Coriolanus’, Studies in English Literature, 31:2 (1991), 309-25.
* Jeanson, Francis, Sartre and the Problem of Morality (Bloomington: Indiana University Press, 1980).
* Johnson, Paul K., ‘Battle Within: Shakespeare’s Brain and the Nature of Human Consciousness’, ''Journal of Consciousness Studies'', 4:4 (1997), 365-73.
* Joughin, John J. (
* Kaufmann, Walter, (
* ——, Existentialism, Religion and Death (New York: New American Library, 1976).
* ——, From Shakespeare to Existentialism: An Original Study (Princeton: Princeton University Press, 1980).
* Keller, J. Gregory, ‘The Moral Thinking of Macbeth’, Philosophy and Literature, 29:1 (2005), 41-56.
* Knapp, James A., Image Ethics in Shakespeare and Spenser (Basingstoke: Palgrave Macmillian, 2011).
* Knight, Everett W., Literature Considered as Philosophy: The French Example (
* Knottman, Paul A., (
* Kott, Jan, Shakespeare Our Contemporary,
* Kruks, Sonia, ‘Moving Beyond Sartre: Constraint and Judgment in Beauvoir’s “Moral Essays” and The Mandarins’, in Beauvoir and Sartre: The Riddle of Influence, cur. Christine Daigle and Jacob Golomb (Bloomington and Indianapolis: Indiana University Press, 2009), pp. 160-79.
* Kuhn, Thomas, The Structure of Scientific Revolutions, 3rd edn (Chicago: Chicago University Press, 1996).
* LaCapra, Dominick, A Preface to Sartre (
* Lang, Berel, The Anatomy of Philosophical Style: Literary Philosophy and the Philosophy of Literature (Oxford Blackwell, 1990).
* Langley, Eric, Narcissism and Suicide in Shakespeare and his Contemporaries (Oxford: Oxford University Press, 2009).
* Le Doeuff, Michèle, ‘Operative Philosophy: Simone de Beauvoir and Existentialism’, in Critical Essays on Simone de Beauvoir,
* Lee, John, Shakespeare’s Hamlet and the Controversies of Self (Oxford: Oxford University Press, 2000).
* Levinas, Emmanuel, Time and the Other and Additional Essays,
* Lévy, Bernard-Henri, The Philosopher of the Twentieth Century,
* Levy, Eric P., Hamlet and the Rethinking of Man (Madison: Fairleigh Dickinson University Press, 2008).
* Lottman, Herbert R., Albert Camus: A Biography (
* Low, Anthony, Aspects of Subjectivity: Society and Individuality from the Middle Ages to Shakespeare and Milton (Pittsburgh: Duquesne University Press, 2003).
* Luce, Louise, ‘Alex Dumas’s Kean: An Adaptation by Jean-Paul Sartre’, Modern Drama, 28:3 (1985), 355-61.
* Lupton, Julia Reinhard, Thinking with Shakespeare: Essays on Politics and Life (Chicago and
* Macquarrie, John, Existentialism: An Introduction, Guide and Assessment (
* Martin, John Jefferies, Myths of Renaissance Individualism (Basingstoke: Palgrave Macmillan, 2004).
* Marks, Elaine (
* Martin, John, ‘Investing Sincerity, Refashioning Prudence: The Discovery of the Individual in Renaissance Europe’, The American Historical Review, 102:5 (1997), 1309-42.
* Marx, Karl, Grundrisse: Foundations of the Critique of Political Economy,
* Mascuch, Michael, Origins of the Individualist Self (Cambridge: Polity, 1997).
* Maus, Katharine Eisaman, Inwardness and Theater in the English Renaissance (Chicago: Chicago University Press, 1995).
* McAlindon, Tom, ‘Cultural Materialism and the Ethics of Reading: Or, the Radicalizing of Jacobean Tragedy’, The Modern Language Review, 90:4 (1995), 830-46.
* McBride, William L. (
* ——, (cur.), Existentialist Literature and Aesthetics (New York and
* ——, Sartre’s Political Theory (Bloomington: Indiana University Press, 1991).
* McGinn, Colin, Shakespeare’s Philosophy: Discovering the Meanings Behind the Plays (New York: Harper Collins, 2006).
* Montrose, Louis Adrian, ‘The Poetics and Politics of Culture’, in New Historicism, cur. H. Aram Veeser (New York: Routledge, 1989), pp. 15-36.
* Mousley, Andy, Re-Humanising Shakespeare: Literary Humanism, Wisdom and Modernity (Edinburgh: Edinburgh University Press, 2007).
* Mulhall, Stephen, Heidegger and Being in Time (
* Murdoch, Iris, Existentialists and Mystics: Writings on Philosophy and Literature (
* Natoli, Joseph, ‘Dimensions of Consciousness in Hamlet’, Mosaic, 19:1 (1986), 91-8.
* Nehamas, Alexander, Nietzsche: Life as Literature (Cambridge, Massachusetts and
* Novello, Samantha, Albert Camus as Political Thinker: Nihilisms and the Politics of Contempt (Basingstoke: Palgrave Macmillan, 2010).
* Nuttall, A. D., Shakespeare the Thinker (New Haven and
* ——, ‘Shakespeare’s Imitation of the World’, in ''Modern Critical Interpretations: William Shakespeare’s Coriolanus'', cur. Harold Bloom (New York: Chelsea House, 1988), pp. 91-8.
* Nussbaum, Martha C., Upheavals of Thought: The Intelligence of Emotions (Cambridge: Cambridge University Press, 2001).
* Oaklander, Nathan, Existentialist Philosophy: An Introduction (Englewood Cliffs, New Jersey: Prentice Hall, 1992).
* Oates, Joyce Carol, ‘Essence and Existence in Shakespeare’s Troilus and Cressida’, in ''Troilus and Cressida: A Casebook'',
* Palfrey, Simon, ‘Macbeth and Kierkegaard’, Shakespeare Survey, 57 (2004), 96-111.
* Paolucci, Anne, ‘Shakespeare and the Genius of the Absurd’, Comparative Drama, 7 (1973), 231-46.
* Paster, Gail Kern, Katherine Rowe and Mary Floyd-Wilson (eds), Reading the Early Modern Passions (Philadelphia: University of Pennsylvania Press, 2004).
* Patterson, Annabel, Shakespeare and the Popular Voice (Oxford: Basil Blackwell, 1989).
* Patterson, Lee, Negotiating the Past: The Historical Understanding of Medieval Literature (Madison, Wisconsin and
* Pattison George, ‘Art in an Age of Reflection’, in The Cambridge Companion to Kierkegaard,
* Pemble, John, Shakespeare Goes to
* Pickus, David, ‘Paperback Authenticity: Walter Kaufmann and Existentialism’, ''Philosophy and Literature'', 34:1 (2010), 17-31.
* Poole, William, and Richard Scholar (eds), Thinking With Shakespeare: Comparative and Interdisciplinary Essays for A. D. Nuttall (
* Robinson, Christopher C., ‘Theorizing Politics After Camus’, Human Studies, 32:1 (2009), 1-18.
* Roe, John, ‘Rhetoric, Style and Poetic Form’, in The Cambridge Companion to Shakespeare’s Poetry,
* Rokem, Freddie, Philosophers and Thespians: Thinking Performance (Stanford: Stanford University Press, 2010).
* Rosslyn, Felicity, ‘Tragedy and Emancipation’, Cambridge Quarterly, 30:4 (2001), 307-18.
* Rudrum, David (
* Ruoff, James E., ‘Kierkegaard and Shakespeare’, Comparative Literature, 20:4 (1968), 343-54.
* Ryan, Kiernan, ‘King Lear: A Retrospect, 1980-2000’, Shakespeare Survey, 55 (2002), 1-11.
Riga 282:
* Santoni, Ronald E., Bad Faith, Good Faith and Authenticity in Sartre’s Early Philosophy (Philadelphia: Temple University Press, 1995).
* ——, Sartre on Violence: Curiously Ambivalent (University Park, Pennsylvannia: The Pennsylvannia State University Press, 2003).
* Scheenwind, J. B., ‘Montaigne on Moral Philosophy and the Good Life’, The Cambridge Companion to Montaigne,
* Schürmann, R., ‘On Constituting Oneself as an Anarchistic Subject’, ''Praxis International'', 6:3 (1986), 294-310.
* Selleck, Nancy, The Interpersonal Idiom in Shakespeare, Donne and Early Modern Culture (Basingstoke: Palgrave Macmillan, 2008).
Riga 292:
* Steiner, George, The Death of Tragedy (New Haven: Yale University Press, 1996).
* Stevens, Paul, ‘Pretending to be Real: Stephen Greenblatt and the Legacy of Popular Existentialism’, New Literary History: A Journal of Theory and Interpretation, 33: 3 (2002), 491-519.
* Stewart, Jon (
* Stewart, Stanley, ‘Lear in Kierkegaard’, in King Lear: New Critical Essays,
* ——, ‘Philosophy’s Shakespeare: Breaking the Silence’, ''Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles'', 10 (2003), 139-59.
* ——, Shakespeare and Philosophy (
* ——, ‘Was Shakespeare Thinking Philosophy?’, ''Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles'', 15:1 (2008), 123-37.
* Stralen, Hans van, Choices and Conflicts: Essays on Literature and Existentialism (Oxford: Peter Lang, 2005).
* Symonds, J. A., Renaissance in Italy: The Revival of Learning (
* Szabari, Antonia, ‘“Parler seulement de moy”: The Disposition of the Subject in Montaigne’s Essay “De l’art de conferer”’, ''MLN'', 116:5 (2001), 1001-24.
* Szondi, Peter, An Essay on the Tragic,
* Taylor, Charles, The Ethics of Authenticity (Cambridge, Massachusetts and
* ——, Sources of the Self: The Making of Modern Identity (Cambridge: Cambridge University Press, 1989).
* Thiel, Udo, ''The Early Modern Subject: Self-Consciousness and Personal Identity'' (Oxford: Oxford University Press, 2011).
* Tidd, Ursula, Simone de Beauvoir (
* Todd, Olivier, Albert Camus: A Life,
* Trilling, Lionel, Sincerity and Authenticity (
* Turgenev, Ivan, Sketches from a Hunter’s Album,
* Uhlig, Claus, ‘Shakespeare and Philosophicalness’, Neohelicon, 30:2 (2003), 147-62.
* Wagner, John A. (
* Wahl, Jean, Philosophies of Existence: An Introduction to the Basic Thought of Kierkegaard, Heidegger, Jaspers, Marcel, Sartre,
* Weckermann, Hans-Jürgen, ‘Coriolanus: The Failure of the Autonomous Individual’, in ''Shakespeare: Text, Language, Criticism'', curr. Bernhard Fabian e Kurt Tetzeli von Rosador (New York: Olms-Weidmann, 1987), pp. 334-50.
* Wehrs, Donald R., ‘Moral Physiology, Ethical Prototypes, and the Denaturing of Sense in Shakespearean Tragedy’, College Literature, 33:1 (2006), 67-92.
* Weimann, Robert, ''Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function'', cur. Robert Schwartz (Baltimore and
* Weitz, Morris, Shakespeare, Philosophy, and Literature (New York: Peter Lang, 1995).
* Wild, John, ''The Challenge of Existentialism'' (Bloomington and
* Williams, Raymond, ''Keywords: A Vocabulary of Culture and Society'' (
* Wilson, Richard, Shakespeare in French Theory: King of Shadows (
* Witmore, Michael, Shakespearean Metaphysics (
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{{Vedi anche|Serie delle interpretazioni|Serie dei sentimenti|Serie letteratura moderna}}
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