Embricazione del trauma in Hemingway/Trauma e ARIT: differenze tra le versioni

{{q|It is very bad for writers to be hit on the head too much. Sometimes you lose months when you should have and perhaps would have worked well but sometimes a long time after the memory of the sensory distortions of these woundings will produce a story which, while not justifying the temporary cerebral damage, will palliate it. "A Way You’ll Never Be" was written at Key West, Florida, some fifteen years after the damage it depicts, both to a man, a village, and a countryside, had occurred. No questions? I understand. I understand completely. However, do not be

alarmed. We are not going to call for a moment of silence. Nor for the man in the white suit. Nor for the net.<ref>''The Paris Review'', rist. in Trogdon, ''Hemingway: A Literary Reference'', 318. La citazione continua: "Now gentlemen, and I notice a sprinkling of ladies who have drifted in attracted I hope by the sprinkling of applause. Thank you. Just what stories do you yourselves care for? I must not impose on you exclusively those that find favor with their author. Do you too care for any of them?" Hemingway che si rivolge ad un pubblico ipotetico di genere misto è interessante alla luce della traiettoria di cambiamento presa dai suoi personaggi in reazione a traumi nel testo.</ref>}}

 

 

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[[Categoria:Embricazione del trauma in Hemingway|Trauma e ARIT]]